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Studia Phaenomenologica
Volume 16
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toward a phenomenology of cinematic movement
pp.63-90
https://doi.org/10.5840/studphaen2016162Film in statu nascendi
pp.91-109
https://doi.org/10.5840/studphaen2016163pp.111-133
https://doi.org/10.5840/studphaen2016164sur le point de vue au cinéma à partir des écrits de Merleau-Ponty
pp.135-162
https://doi.org/10.5840/studphaen2016165thinking film with Merleau-Ponty
pp.163-183
https://doi.org/10.5840/studphaen2016166entre visibilité et musicalité
pp.185-214
https://doi.org/10.5840/studphaen2016167pp.215-240
https://doi.org/10.5840/studphaen2016168pp.241-268
https://doi.org/10.5840/studphaen2016169The conflict between the actor and the character
pp.269–293
elements of a husserlian approach to film image
pp.295-324
https://doi.org/10.5840/studphaen20161611pp.325-342
https://doi.org/10.5840/studphaen20161612Deleuze and the visual experience of temporal depth
pp.343-372
https://doi.org/10.5840/studphaen20161613black screen as negative event in early cinema and 9/11 films
pp.409-438
https://doi.org/10.5840/studphaen20161615a neurophenomenological approach
pp.439-465
https://doi.org/10.5840/studphaen20161616Merleau-Ponty's ontology of ontology
pp.469-487
https://doi.org/10.5840/studphaen20161617zur Einheit radikal phänomenologischer Wirklichkeit als Lebensimmanenz
pp.519-550
https://doi.org/10.5840/studphaen20161619nouvelles lectures
pp.551-588
https://doi.org/10.5840/studphaen20161620phänomenologische Skizzen
pp.591-594
https://doi.org/10.5840/studphaen20161621a paradigm shift
pp.594-598
https://doi.org/10.5840/studphaen20161622pp.598-602
https://doi.org/10.5840/studphaen20161623beyond art theory and the cartesian mind–body dichotomy
pp.602-607
https://doi.org/10.5840/studphaen20161624Publication details
Journal: Studia Phaenomenologica
Volume: 16
Year: 2016
Full citation:
(2016) Studia Phaenomenologica 16.