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Colour, culture and cinematography
pp. 201-219
Abstract
These notes arise from a concern over the extent to which the apparatus of film and television is suited to the needs of different cultures and traditions of representation. They are equally linked to policy issues raised by transcultural consumption, the reproduction of material outside the framework of its host culture and environment, alongside the practice of production for international markets.
Publication details
Published in:
Harrison Andrew (1987) Philosophy and the visual arts: seeing and abstracting. Dordrecht, Springer.
Pages: 201-219
DOI: 10.1007/978-94-009-3847-2_11
Full citation:
Clark John (1987) „Colour, culture and cinematography“, In: A. Harrison (ed.), Philosophy and the visual arts, Dordrecht, Springer, 201–219.